For more than two decades, I worked professionally at the intersection of classical art and digital media as a 3D artist and visualizer. In recent years, as a conscious response to the rise of generative AI, I have returned almost entirely to the physical canvas.
Today I work as a classical fine artist, based between Berlin and the Brandenburg countryside. My paintings explore atmosphere, memory, structure, and the emotional presence of landscapes and spaces, worked in oil on canvas.
My technological background still fuels my practice: I developed ArtWingman, a software suite that translates digital imagery into traditional Munsell color-mixing recipes for physical palettes.
